Archive for the 'movies' Category



January 2, 2010

So, I had a sort of informal promise (read: from the roots of embarrassment and insecurity) to myself that I would not blog again until there were a minimum of three comments on my previous post. Even if two of the three were my own comments. I’m going to break that rule in the new year and suffer the humiliation that comes from being a blogger who is seldom read. Who cares, right? If no one reads this, there’s very little to be embarrassed. At least that’s what I’m going to tell myself.

Another thing that I’m going to try to do more this year, with regard to the blog, is be more honest and less safe.  Not that I was exactly holding back before, and not that I’m going to be brutal or very revealing or anything now, but I want to try to worry less about offending someone, and put my thoughts out into the interwebs more.  I think that part of the great thing about having such lovely and loyal and smart friends is that I don’t run much of  a risk of offending them.  I think everyone knows that I’d never do anything to try to hurt anyone I love.  I’d like to say that I’d never do anything to try to hurt anyone, but I think that’s not completely true. 

While I’d not try to hurt anyone, I know that some things I say would hurt the person about whom I’m saying them.  For example, I think Maggie Gyllenhall is just about as gorgeous as a person can get, but she seems to me to kinda stink at acting.  Now, I’m not trying to hurt her (and in fact I doubt very much that I’m hurting her as the odds of her reading this blog are pretty close to the odds that she will one day play me in the movie version of my life — snooze, I know), but I can’t imagine that it feels good to read people dissecting your professional performances — complete strangers and amateurs to boot; I would think it would sting a bit.  I bring up Maggie Gyllenhall because I saw a preview of the new movie Crazy Heart today before seeing It’s Complicated.  Crazy Heart stars Jeff Bridges looking even more like Kris Kristofferson than he ever did.  And it looks to me like the movie The Wrestler wanted to be.  Although it seems to have some of the same underlying structure, Crazy Heart involves a drunken country star instead of a drunken professional wrestler.  And Jeff Bridges instead of Mickey Rourke, a swap I’ll take any day of the week.  And Maggie Gyllenhall instead of Marisa Tomei.  Not really a better move there, but we’ll see how much MG bugs me.  I saw T. Bone Burnett had some role in it, so that’s even more to look forward to.

As for It’s Complicated.  I liked it a lot.  First off, let’s be clear: it’s one of those movies that basically exudes, “It’s pretty damn nice to be rich.”  I am actually a fan of these kind of movies — movies like Father of the Bride (the Steve Martin one) and Something’s Gotta Give — they make life look so shiny and pretty and, frankly, uncomplicated.  There’s always plenty of food in the fridge, champagne in the glasses and clean linens (the sheer amount of clean towels alone make It’s Complicated worth seeing).  They make life’s hardships seem way less hard.  And there’s definitely a place for those movies, in my opinion.  I don’t need to see Schinder’s List or Hotel Rwanda or The Wrestler everyday.  [Or any day as it pertains to one of those three; I’ll leave it to you, dear reader, to figure out which one.]   In essence, it was a pretty fun movie and I do think it had some things to say about divorce that were quite true.   I heard Dr. Phil once say that you aren’t ready to get divorced until you aren’t emotional anymore, until you know completely that it’s done. Although that sounds lovely, I think that it’s pretty much a load of crap and I can’t think of many folks that have operated that way.  As Reese Witherspoon once said (at least as much as a sage as Dr. Phil), if you aren’t emotional over it, you probably shouldn’t have gotten married in the first place.  Since I find more truth in that statement, it seems Dr. Phil’s philosophy works more for the emotionally vacant or for people that never really cared about each other to begin with.  So, back to the movie.  Meryl & Alec had some unfinished business, it seems.   And that’s probably not that unusual.  I don’t think many divorced couples take it to the level they went to (though Liz Taylor certainly stepped it up a notch), the feelings they still had for each other seemed fairly understandable.  Understandable and realistic in a comedy exuding the It’s Good to Be Rich-vibe, of course.  I do, though, completely agree with Maggie (my cousin, not Gyllenhall) that their movie kids were totally unrealistic.  In addition to be saccharin-y, they were just odd.  No one acts like that, no one talks like that, no one is like that.  They are three twenty-something siblings who jump up and down when they see each other.  They were completely weird to me.  Except for the light of the world, John Krasinski.  May he never play the bad guy.

WWJS

We are nearing the end of the traditional holiday season and I am sad to see it go.  Not because I haven’t had enough Christmas time, or enough good food and drink, or even enough time with my lovely Christmas tree with all its sparkly lights and the warm feeling it brings me.  Between you and me, I’m not exactly not looking forward to putting it out on the street this weekend.  You can’t really argue with the facts that it is a bit messy and crowded sticking a big pine tree in your living room.  And, of course, I am my mother’s daughter and my mother pretty much always wanted to stick the thing out on the curb late on Christmas morning.  Ok, now back to why I am saddened about the end of the season: I haven’t seen nearly as many movies as I’d like.  Christmas time means Movie Time!  There are always a million that seem to come out this time of year and, living in Wisco as I do, the holiday movie season starts later and ends later than it does in other parts of the civilized world.  What this means in reality is that I feel behind before movies have even arrived in town.  For example, Sarayu saw Up In the Air at least a month ago, it seems, whereas I saw it just this afternoon.  Sigh.  I am so behind, in fact, that I just saw Julie & Julia this week.  Geesh, Kate.  Get it together.

I wonder if Jesus would have been a movie fan.  I think so.  He seemed to like a good story-telling and what better way to connect with your fellow man than to sit in a crowded, dark theater watching someone’s story unfold in a gigantic way just a few feet away from you.  I wonder what he would want to see this season.  Since I really have no idea, I’ll set out my list instead of speculating on his.

Up In the Air … Check!  Done.  And I really, really liked it.  I’m not saying it’s Best Picture quality movie, but I think it’s damn close.  It’s at once a unique, fresh story that has conventional plot lines and ideas.  Sort of the best of both worlds as far as I’m concerned.  Afterall, there’s a reason we return to convention (sometimes rudely billed ‘cliches’).  It’s comforting.  And as much as Up In the Air is uncomfortable — all that plane travel!  the lack of real intimacy, the supreme attractiveness of Clooney and Farmiga — there is so much that is achingly familiar.  The wedding scene felt so real I could hardly contain the tears of joy streaming down my face.  Ok, I couldn’t control them.  I very much recommend this movie.

Invictus.

Nine.

Sherlock Holmes (maybe).

It’s Complicated.

An Education.

Also, I saw two previews today for movies that aren’t coming out for a bit but will, no doubt, be given some Oscar buzz.  Actually, I’m sure they already have generated some but, see above, we don’t always get that news in time, either.  Or, more accurately, we might get the news but it doesn’t always register when it’s for a movie you can’t remember the name of because it won’t be in town for a couple of months.  One was A Single Man with Colin Firth and Julianne Moore.  It seems very Mad Men period-esque, but I really have no idea what it’s about.  The preview was lovely, but it was only music and images, ie no dialogue at all.  It gave me the impression, though, that it would be a movie that would make me quite uncomfortable in a Who’s Afraid of Virginia Woolf way.  The second was Shutter Island.  Martin Scorsese + Leonardo DiCaprio + mental patients + an island + possible ghosts = I’m intrigued.  Frightened, but intrigued.

What are you seeing? 

Monday morning

This is sort of interesting.   I stress “sort of.”  I really don’t want to start Monday off on a sour note, so I’ll leave it at that for now.

Go Packers!  That game was awesome.  Did you see the Sunday night game?  My only thought is that Bill Belichick had money on Indianapolis to win because that call on 4th and 2 made absolutely no sense to me.  I pinched myself because I thought I might have been dreaming when I saw they were going to go for it.  Nope, it really happened.

I’m almost done reading At Home in the World by Joyce Maynard and I really recommend it.  I flew through the first two thirds and stalled for a bit after the Salinger affair ended, but that was a mistake on my part.  The part of the book that takes place post-Salinger is really just as interesting.  I urge you to check it out if you haven’t already done so and are looking for a book to keep you turning the pages.

Zombieland.  We saw it Saturday night and it did not disappoint.  Clocking in at well-under 90 minutes, this newest zombie comedy is icky in its gory-ness, but fresh in its snappy dialogue, characters and plot.  Really, truly a cute, funny movie.  Woody Harrelson does not disappoint.  And while I tend to think of Jesse Eisenberg as a poor man’s Michael Cera, I enjoyed him for the second time in a movie that contains significant scenes at an amusement park.

Miscellany

Here are some recent musings on which I would very much appreciate some comments and discussion.  Otherwise, I’ll feel like I’m talking to myself and that’s something I can do without a blog.

1.  The Packers looked soooooooooo good these last two games, but I don’t think I can really talk about this because it makes me nervous to have two preseason games yet to go.

2.  I understand just about nothing about this health care debate.  I am sure there is something there to understand, but I feel like so much about the health care industry is shrouded in mystery and wrong information.  For example, why do things have to cost so much?  I’m not convinced there’s necessarily an inherent cost in lots of health care, as opposed to just a manufactured cost.  Additionally, lots of people blame malpractice insurance for the high costs, and while I don’t know how much insurers charge, I’m pretty sure that litigation costs are a tiny fraction of the overall industry costs.

3.  I saw two super fun movies last weekend: (1) The Hangover and (2) The Perfect Getaway.  I really had a great time watching both of them, especially after we moved out of the balcony at The Hangover where some genetically-challenged man kept screaming, “Holy balls!”

4.  Project Runway.  I’m pretty glad the gal who got auffed did, but I wasn’t overly impressed with any of them.  Too early to say much, other than that their new studio space is nice and I’m happy there’s a Mood in L.A.  Why?  I have no idea.

5.  Also, this is a job I did not know existed.

Away We Went

I’ve actually revealed this neurosis of mine before, but I need to hash it out some more.  When I see a movie I really, really like, I usually need to stay for most, if not all, of the credits.  I’m not like my aunt Terry who has to stay for all of the credits of every movie.  Certainly not!  In fact, I really can’t imagine stomaching staying through all of the credits of a movie like, say, The Reader.  Pukeasaurus Rex.  But when I think a movie’s really good, there are several reasons why I want to stay: (1) I want to give every name involved a little of my time in a small effort to show my respect and admiration and gratitude; (2) I often want to check who played whom and who did the music; and (3), and this is usually the biggest reason, I need time to collect myself before moving on with my life.  And this third one is the one that gets me in real trouble.  I LOVE seeing movies in the theater.  I love the grandeur, the shared experience, the sound, everything.  I just love, love, love, love, love it.  But there is little that I hate more in this world than the end-of-a-great-movie experience in which I am sitting paralyzed with emotion, trying to absorb what I have just seen and been through and listening to the final song of the film (sometimes the most important song, like in Gran Torino & The Wrestler) when people all around me just start talking and — the worst — laughing and moving on with their lives at a rate I can’t contemplate.  It makes me so annoyed and angry and then I’m left not being able to soak in the whole experience and irked with myself for letting it get to me.  The thing is, I know I’ve probably pissed someone else off in the same way folks have done for me.  I think it’s probably a safe (though disturbing) bet that someone was moved by The Reader and I couldn’t get out of the theater fast enough and I’m sure I let out an inappropriate chuckle.  Ugh.  So, I know there’s no real solution to this problem.  If I want the movie theater experience, I just need to understand that this is going to happen.  Again and again.  As it did tonight.

Tonight we saw a truly lovely, moving portrait of a 30-something couple trying to navigate through life and figure out where they belong.  In Away We Go, Burt & Verona are a couple who are very much in love and about to have a baby.  They don’t, however, know quite where they should live.  They want to live in a city with family or friends or both.  They want to feel rooted.  So, they travel North America — Phoenix, Tucson, Madison (!!! though it’s not really Madison, but it is very pretty), Montreal & Miami — in an effort to find out what city fits them.  Along the way, we are introduced to a bunch of characters from their past: In Phoenix is Verona’s ex-boss; in Madison is Burt’s childhood family friend; in Montreal, the couple’s college friends.  Some of the people they visit are totally bonkers (Maggie Gyllenhall plays so insane and is part of one of the best scenes in the movie: John Krasinski + stroller = madcap comedy.  Who knew?), and some are incredibly sympathetic and stirring.  But it’s Burt and Verona that make the film.  Their effort to make it as a couple, as a family, in a tough, unfair world moved me to tears.  It is one of those precious, rare films that makes us remember that just being here, just loving someone is really beautiful.  And it’s enough.